milan

Markus Raetz

Monica del Cardenas

FOR MARKUS RAETZ, the dream of art is to discover ever-new images, even within a single form. Fulfilling that dream in this exhibition, he offered an experience something like being inside a kaleidoscope. The key to the exhibition lay in a room hidden off to one side. Abstract shapes cut out of thin iron sheets hung from the ceiling; on the floor, two electric hot plates had been placed on a gray wood base. Gradually, as one moved, a myriad of portraits appeared, conjured through various systems of anamorphosis. The heat given off by the hot plates moved the wires holding up the suspended shapes, so that the faces continually changed, sometimes seeming to have closed eyes, sometimes smiling mouths, sometimes appearing concentrated and immobile. Observing this work, Duo, 1998, was a bit like watching a person whose face continually changes in mood and expression. Declaring the impossibility

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