reviews

Isa Genzken

Kunstverein Braunschweig

THE CHARACTERIZATION OF ISA GENZKEN as a traditional sculptor, along with the usual remarks concerning the heterogeneity of her method and the surprising breaks between her various bodies of work, belong firmly to the topoi of her reception. Genzken's approach, which includes recourse to photography, video, film, collages, and collage books, does, it's true, represent a continuous examination of the classic themes of sculpture: the ordering of masses and volumes; the relations between construction, surface design, and materials; the conception of and relation between objects, space, and the viewer. And regardless of the medium—from series executed in painted wood, plaster, and concrete to the more recent epoxy-resin hoods and lamps; assemblages of metal household utensils; and stelae—the artist questions the contemporary meaning of sculpture by taking up its vocabulary of forms,

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