new-york

Aziz + Cucher

Henry Urbach Architecture

FOR ALMOST A DECADE, Anthony Aziz and Sammy Cucher have explored the materiality and frangibility of the human (or humanoid) body. In their most recent photographic installations, the duo denaturalizes and reconfirm res human skin—complete with freckles, spots, pores, and hair follicles—to form deep, dark architectural spaces, twisted sculptural shapes like pieces of odd furniture, and mutant scientific specimens to be analyzed. These hybrid agglutinations are alternately clinical and fantastic, inviting and disgusting.

“Interiors,” 1998-2000, the most effective series in Aziz + Cucher's latest show, is a group of sepia-toned photographs of mole-speckled, ciliated skin, digitally altered so that it appears to line cavelike rooms, umbrageous staircases, and dark entryways. Distinctions between inside and outside wither away like some retrograde state. Where am I? If I go up that

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