Untitled (Home), an unremarkable photograph from the backyard, a shot so casual it seems to have been chanced on, becomes in Troy Brauntuch’s hands a disturbing examination of the mediated nature of Images. The theme of the exhibition was expounded and an everyday melodrama was thoroughly explained even in the work’s reproduction on the invitation card: In the foreground of the yard, we see the cat’s food bowl; in the background, a dead bird lying on its back by a porch step. But the seemingly obvious causal connection was then called into question in other images in the exhibition (all works