Anselm Stalder’s exhibition is a topography of ideas, a dense network of pictorial, sculptural, architectonic, and urban references. It was publicly initiated with an action at the Zurich Paradeplatz, in the center of the Swiss financial world. Here, Stalder promoted his exhibition for several hours, wearing a sandwich board with the slogan: “Keine Dereguliering fir die Erfindung des Nebels” (No deregulation for the invention of fog). Art, which in the twentieth century went through a sort of deregulation of its own, has the potential to begin formulating rules again—in a kind of countercycle