THE FOUR SECTIONS OF THE SPRAWLING multimedia exhibition “Suite Fantastique”—labeled “overture,” “variations and scherzo,” “intermezzo and trio,” and “rave”—included large-screen projections of opening film credits by the Hollywood-based design team Imaginary Forces; two galleries of early drawings by architects Peter Eisenman, Rem Koolhaas, Daniel Libeskind, Thom Mayne, and Bernard Tschumi (''Perfect Acts of Architecture“): and a hulking walk-in hybrid of painting and architecture by Fabian Marcaccio and Greg Lynn (The Predator, 2000–01). What tied these disparate exhibitions together