The ground floor of the Kunsthalle Basel comprises a sequence of individual spaces, and that sequence lends filmic qualities to whatever is shown there. As one passes through the various rooms, a kind of linear narrative seems to be imposed on the individual works in a show. In this exhibition, Rachel Khedoori’s capacious cinema-based installations can indeed be followed like a film, maybe even a metafilm. In each individual work, though, the unity of space and filmic sequence is broken up. The projection is disturbed by sculptural and installed elements; distorting reflections alienate the