David Reed's exhibition begins in the half-light of the stairwell. Ascending the steps, you hardly notice the single work by the artist that hangs there, save perhaps to observe that its dimensions seem to match those of the painting opposite it, a work by Ferdinand Hodler that belongs to the Kunstmuseum and is no better lit. Likewise, as you reach the top of the stairs, you do not immediately see the vertical canvas, No. 218-2, 1982-86—though it is a striking work—placed in the corner near the window behind a large sculpture by Donald Judd that all but dominates this space. The