In an era when the tyranny of “signature style” has meant that an artist’s production should be both consistent and readily attributable, Irene Pijoan has courageously embraced a wide range of media and modes of production. The objects and images presented in this midcareer survey of work from the past twenty years were so various that a first impression suggested a group exhibition rather than a solo show. Sculpture and painting—on canvas, wood, linen, plaster, and stone—explored both dark, expressive figuration and vivid, delicate abstraction; figures, landscapes, words, and shapes