The work of Max Renkel carries out a wide-ranging investigation of the procedures, logical connections, unpredictable rhythms, and imperceptible passages that, in the elaboration of an image on canvas, intervene between idea and execution. In so doing the artist draws attention to certain points of departure toward a contemporary approach to representation.

This exhibition unveiled, with an effective and deliberately ironic discretion, one of the most significant themes in twentieth-century painting as well as its absolute anachronism in the present: the dichotomy between the figurative and the