• Gary Simmons

    New Museum

    With the willful impermanence of their blurred chalk marks, Gary Simmons’s monumental “erasure” drawings position themselves somewhere between black and white. His bravura subtractions are perplexing expressions of the politics of difference and the paradox of memory, incorporating what he has called “markmaking as well as a literal ‘unmark’-making”: He executes drawings in white chalk on panels and walls that have been coated with slate paint or schoolroom blackboards on wheels and then smudges the images with his hands, partially wiping them out. Meaning resides in the tension between what is

    Read more