london

Cornford & Cross

In the past, Matthew Cornford and David Cross have ironized their corporatesounding nom de guerre by using a business card that reads “Cornford & Cross: Problems Solved.” “Problems Generated” would be nearer the mark, and their first London solo show (an overdue event, given the scope and ingenuity of their work since 1996) featured eight project proposals their prospective patrons judged too problematic to realize. They include plans to deposit a severed chunk of oil pipeline somewhere in Afghanistan (The Treason of Images, 2001/2002); to erect a section of highway overpass in London’s Green Park (This England, 1998/2002); to half-sink an industrial chimney in a Midlands reservoir (Coming up for air, 2001); to ferry Liverpool Biennial visitors around that city inside the contemporary, privatized equivalent of a Black Maria (The End of Art Theory, 2001/2002); and to fly the flags of

Sign-in to keep reading

Artforum print subscribers have full access to this article. If you are a subscriber, sign in below.

Not registered for artforum.com? Register here.

SUBSCRIBE NOW for only $50 a year—65% off the newsstand price—and get the print magazine plus full online access to this issue and our archive.*

Order the PRINT EDITION of the January 2003 issue for $17 or the ONLINE EDITION for $5.99.

* This rate applies to U.S. domestic subscriptions.