new-york

Paul McCarthy

Luhring Augustine | Chelsea

In “Clean Thoughts,” an exhibition of new sculptures (plus one vintage work, Chair with butt plug, 1978), Paul McCarthy assembled a motley crew of characters borrowed from sugar-pop domains that stretch from Hollywood movies and Saturday morning cartoons to Christmas culture and Jeff Koons’s sculpture. Shit Face and Dick Eye (both 2002), a couple of mutilated pirate busts cast in black and red silicon rubber, stood guard at the gallery entrance. Together with their sky blue mate, Pot Head, and a drab brown Jack P. (both 2002), they are the most recent additions to McCarthy’s expanding troupe of maladroit freaks. The clean-cast faces of these butt-ugly buccaneers arrested viewers with spaghetti junctions of gashes, gouges, and withered wounds where dismembered male genitalia sprouted from empty eye sockets or turds tumbled from a gaping maw. While they were in a soft clay state, McCarthy

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