New York

Meg Cranston

Leo Koenig Inc. | 541 West 23rd

“Magical Death,” Meg Cranston’s most recent show, presented five portraits of the artist as a piñata. Papier-mâché mockups of the artist herself, “dressed” in colored-tissue outfits—striped pants, red shorts, shod in boots or adorned with an elaborate headdress—hung from the ceiling in a variety of poses. Fabricated by Cranston with the help of her art students, the pieces represented a semi-sincere attempt to portray her physically, as well as a direct send-up of the cult of the artist.

With Kippenbergeresque energy and wit, Cranston has been investigating aspects of body and soul for several years. Recent shows have featured drawings and sculptures of bad teeth and their imagined physiognomic significance, a large composite photograph of an average-size American, and a performance about the life of Marvin Gaye. This new work drew on Cranston’s long-standing interest in anthropology: The

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