Stephan Dillemuth

Galerie Christian Nagel

Standing on a white pedestal was a chair titled Charles Eames für Vegetarier (Charles Eames for vegetarians; all works 2002), put together with twigs found in the woods. A vitrine built of branches painted white displayed garden gnomes made of clay and coated in layers of crystallized sugar. The piece was called Grasbrüder im Fleisch der Sonne (Grass brothers in the flesh of the sun). A huge black silhouette, titled My Life as Isadora Duncan, hung across the middle of the room; a wrecked model, the Entwurf für Reformkathedrale (Model for a reform cathedral), in reference to the designs of the German architect Bruno Taut, stood on another white pedestal. T-shirts called Kein Titel, Kein Name, die 90er (No title, no name, the ’90s) hung from a rod, and a yellow flag with the chemical symbol for alcohol projected into the room. Six postcards, most showing the artist naked, observing the

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