• Chantal Michel

    Kabinett Zürich / Kabinett Bern

    Having abandoned her early plaster objects as being too “cool and technical,” Chantal Michel has for the last few years made her own body the sculptural subject of her photographs, videos, and performances. Perched astride an eighteenth-century chest in a sumptuous room or limbs flailing inside a piece of industrial machinery, Michel both transforms her bizarre surroundings with her presence and, like a casually placed vase or forgotten handbag, becomes one with them. Always wearing gorgeous party clothes (the artist allegedly owns two thousand dresses and three hundred wigs), Michel is both a

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