Tal R

Victoria Miro Gallery | 16 Wharf Road

Tal R has a distinctive way of explaining his paintings. “I constantly have this hot- pot boiling and I throw all kinds of material into it,” he told an interviewer some time ago. More recently: “I do painting a bit like people make a lunch box.” Add the fact that his London solo debut—comprising thirteen bright and unruly mixed-media works, four embroidered cloth banners, and an installation of thirty-two drawings—was titled “Lords of Kolbojnik” (the latter word being kibbutz slang for the rubbish left over after a heavy meal), and it’s hard not to wonder, sometimes, whether the Israeli-born, Copenhagen- based artist hasn’t missed his vocation.

But only sometimes; and certainly not in front of a work such as Lords of Kolbojnik, 2002–2003, whose collaged slivers of multicolored paper, radiating dizzyingly outward from a central vanishing point, culminate in a monstrous fringe of pasted-on

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