Miranda July, who came up through the Pacific Northwest punk-rock scene in the ’90s, is best known for performance and video; “Go You Good Thing” is her first gallery exhibit of nonvideo art. The works in this show are photographs marked with office-supply orange-dot stickers and blown up so that their imperfections are made plain and large. You see dots on faded, out-of-focus images of unidentified figures, torn and foxed at the edges with tiny hairs and dust flecks caught in the adhesive. You sense a set of rules at work—certain objects are covered, certain spaces revealed, as if the artist