As a child, I was fascinated by the idea of experiencing the interior of my own body, my imagination fired by children’s books about tiny people who wander through the human anatomy and view the individual organs from within. When I saw Hans Schabus’s video Der Passagier (The Passenger), 2000, three years ago, I suddenly remembered these childhood imaginings. Through a camera attached to a toy train moving along a track that mercilessly travels not only through empty spaces but also through the walls, I saw the interior of the wall that had been broken open. Like a worm inside a body, this train