reviews

  • Damian Moppett

    Catriona Jeffries

    Since the late ’70s countless Canadian schoolchildren have drifted off during in-class screenings of National Film Board historical vignettes, those humdrum dramas populated by blacksmiths, traders, and voyageurs in spirit-gum beards. Damian Moppett’s installation 1815/1962, 2003, made up of a video in which a nineteenth-century trapper played by the artist fabricates a bizarre animal trap in the Canadian West Coast rainforest; two maquettes on a plinth; and a large photographic poster, recalls these low-key meditations on pioneer pragmatism and self-reliance. This is familiar territory for

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