Though Claire Cowie trained as a printmaker, she’s best known for the figurine-style sculptures she assembles out of doll parts and animal knickknacks and then casts in resin. As much homely mutant hybrid as sweet keepsake, the figures, which are painted in runny watercolors, often seem to be struggling against their support, be it a dainty cupcakelike base or a wide, clear blue platform. The instability of horizons and frames is Cowie’s true subject and one within which her fine sense of sweet and cruel, and how they often resemble one another, is given full play.

For her second one-person outing