new-york

Jim Lambie

Anton Kern Gallery

“Too many stripes can finally drive you mad,” Michel Pastoureau, the chief historian of this elemental pattern, has observed. But how many is too many? Glasgow-based artist Jim Lambie seems determined to find out. Since 1999, Lambie has been completely covering gallery floors with vinyl adhesive tape placed edge to edge, creating site-specific paintings that transform ordinary spaces into Saul Bass dream sequences and has garnered comparisons to figures as various as Daniel Buren, Bridget Riley, and, less often but more aptly, Gene Davis. Zobop, 1999–2003, is the best known of these works. First installed at London’s Showroom Gallery and reprised at other venues, it consists of concentric bands

of multicolored tape with which the artist meticulously follows the outline of the floor in ever-shrinking iterations, thus highlighting and exaggerating the contours of the space.

By comparison,

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