Sci-fi films and literature, with their pseudoscientific theories about UFOs and speculations about other worlds, are the underlying references for Sarah Ciracì’s photographic work and videos. Through the digital manipulation of images she constructs visionary, oneiric landscapes, creating a simulation of hypothetical future scenarios. Her installation for Macro, Oh my God is full of stars, 2004, presented a sequence of images of starry skies and galaxies, doors, corridors, and spaceship control rooms, taken from Stanley Kubrick’s 2001: A Space Odyssey (1968) and other science-fiction films.