reviews

  • Su-Mei Tse

    Tim Van Laere Gallery

    For many, the news that the 2003 Venice Biennale’s Golden Lion would be awarded to Luxembourg-based artist Su-mei Tse was, to say the least, unexpected. But for the happy few who’d managed to find their way through the narrow streets and overcrowded canals to the Luxembourg pavilion, there was little to be surprised about: After all, Tse had conjured a simple, powerful, and—why not?—beautiful transformation of a complex reality. Her video projection Les Balayeurs du desert (The Desert Sweepers), 2003, for instance, made a poetic yet lucid comment on how the Western world is keen to use immigrants

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