• Monica Bonvicini

    Galleria Emi Fontana

    Monica Bonvicini’s most recent exhibition in Italy marked an important turning point in her work, bringing to maturation themes present in earlier pieces that focused on the idea of the fetish. The two canonical definitions of the fetish, those of Marx and Freud, were explicitly referenced, written in pencil at the bottom of Drawing for Blind Shot (Fetish), 2004. The fetish, considered both as a sign of the alienation of the worker from the product of his work and the substitution of the eroticized body with an object equivalent, is fundamental to the principal relationships that exist in Western

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