London

Milena Dragicevic

IBID PROJECTS

Two or three things I know about Milena Dragicevic: She’s Serbian by birth, raised in Canada, and London based. She’s a twin, and her paintings have previously applied the no-doubt-peculiar feeling of observing something that looks like you but isn’t to the post-Communist East and West. A couple of years ago she made a few too many canvases that diagrammed fashionable nostalgia: Soviet-era modernist architecture floating over color fields or striped backdrops that resembled ’60s American abstraction at its Clem-pleasing zenith of flatness. But she had a sideline in cleverly composed portraits of doppelgängers and fractured selves, spiced with Eastern European references (big, sweptback hairstyles; accordions) that tested how much tension, contradiction, and illogic one could pack into a painting. This is evidently what she’s now focusing on—while seeing how much cultural baggage she can

Sign-in to keep reading

Artforum print subscribers have full access to this article. If you are a subscriber, sign in below.

Not registered for artforum.com? Register here.

SUBSCRIBE NOW for only $50 a year—65% off the newsstand price—and receive the print magazine plus full online access to this issue and our archive.*

Order the PRINT EDITION of the May 2005 issue for $17 or the ONLINE EDITION for $5.99.

* This rate applies to U.S. domestic subscriptions.