• Lucy Puls

    Wirtz Art

    Secondary markets shift constantly, and not just in the art world. The advent of eBay has altered the way we value objects that gather dust. Even Dick Cheney has seen fit to point out that a sizable number of Americans now avoid unemployment lines by selling their stuff on the Internet. Since the late 1980s, Lucy Puls has instead transformed household junk into sculpture, casting old toasters, books, LPs, CDs, and stuffed toys inside blocks of translucent resin and turning them into solid forms that exude a strangely alluring sense of loss.

    Puls’s new work represents a visual, if not thematic,

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  • Adriane Colburn

    Southern Exposure

    In her recent exhibition “Before the Rush,” Adriane Colburn reconstructed hidden histories through a kind of meditative cartography, focusing our attention on particular parts of the map. Colburn’s title refers to the nineteenth-century Gold Rush that transformed San Francisco from backwater to big city practically overnight. San Francisco Bay 1800/San Francisco Bay 2000, 2005, is a large cut-paper silhouette pinned directly to the wall that shows every detail of the bay’s complicated shape, including tributaries and creeks, as they existed at the two dates. The land that the water surrounds is

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