Often working in series, Dorothy Cross has amassed a body of work since the late ’80s that ranges across a variety of media including sculpture, video, photography, installation, and musical performance. She has gradually shifted focus from a acaustic examination of gender constructions (sometimes within the specific cultural context of late-twentieth-century, post-Catholic southern Ireland) to a broader exploration of the passion and poetry within human nature, especially as released by our interaction with the rest of the natural world. This retrospective included signal sculptures from two