london

Lucia Nogueira

The Drawing Room at Tannery Arts

Lucia Nogueira’s quietly confident drawings occupy the twilight in which reality loosens its hold on the everyday. Many appear to be straightforward experiments in color incorporating elements of Nogueira’s sculptures: gray test tubes, a funnel framed by a smooth ocher brushstroke, a row of colored lines, abstract scribbles, or an ink-soaked page with a thick drip of enamel near its top. As a result, the works’ occasional strangeness takes you by surprise. One column of five yellow blobs has a cartoonish helicopter landing at its top (Untitled, 1995); elsewhere, pearly teeth loom out of the darkness (Untitled, 1991); and in a gloriously macabre example, what look at first glance like mangled tulips turn out to be animal heads atop flower stems (Untitled, 1998).

This is the first exhibition to concentrate on Nogueira’s drawings, which she produced in the hundreds alongside the sculptures

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