New York

“Post No Bills”

White Columns

Since Matthew Higgs joined White Columns as director and chief curator at the end of last year, the venerable not-for-profit’s Higgsification has proceeded apace. Wasting little time (or space), he hit the ground running in February 2005 with six concurrent projects. The most prominent of these was “Trade,” a group exhibition of pairs of artworks that had at some point been exchanged by their makers. The show’s conceit was typical of its organizer’s predilection for collaborative enterprises that forge ahead with domino-effect inevitability or proliferate like benevolent viruses. Higgs’s sensibility in general is likeably catholic: Fired by the eclectic enthusiasms of an omnivorous fan, he is also fascinated by observing what happens when the spotlight is swung away from center stage and into the wings or the crowd—or even out of the theater altogether.

“Post No Bills” arrived in the

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