reviews

Peter Doig

Museum Ludwig, Cologne

The metaphor of “cultural translation” has been a favorite theme of cultural criticism and art discourse for some time. And in fact the processes of appropriation and translation, and their attendant displacements of cultural and contextual meaning, do belong to the defining experiences of contemporary life. In Peter Doig’s exhibition “StudioFilmClub,” which traveled to the Kunsthalle Zürich after being seen in Cologne, the metaphor of cultural translation played several key roles: The Scottish-born painter who now resides in Trinidad presented seventy-six hand-painted film posters displayed in a transitional space that communicates with the movie theater housed in the same building as the museum. Doig’s sketchily painted posters originally served a concrete communicative purpose: to publicize the weekly film presentations at StudioFilmClub, which Doig has been running, along with artist

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