new-york

Omer Fast

Postmasters

The interviewees who appear in Berlin-based artist Omer Fast’s new two-channel video installation Godville, 2005, are actors who inhabit Colonial Williamsburg, an eighteenth-century town turned theme park that’s known in trade parlance as a “living-history museum.” Fast began each interview as if questioning the historical character—militiaman, mother, slave—and then led each subject gradually toward the present, toward reflection on the act of inhabiting a character from an earlier time.

This would be rumination enough for some filmmakers, but Fast intensifies the project by cutting and reassembling the interviews, ignoring the boundaries between past and present to create a netherworld—a time out of time. Here ideas, sentences, even words are created by the filmmaker, and historical continuity is replaced by fragmented narrative. For example, as we listen to a single sentence

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