reviews

  • Alfredo Jaar

    MACRO - Museo D'Arte Contemporanea Roma

    Alfredo Jaar’s Gramsci Trilogy, 2004– 2005, is a profound investigation into the role played by intellectuals facing the forces of power—an extremely relevant issue right now in Italy (where several journalists opposing the current government have been silenced by order of Prime Minister Silvio Berlusconi) and elsewhere. This is Jaar at his best: politically radical yet contemplative, somber, and personal.

    The first part of the trilogy, Infinite Cell, was shown in 2004 at Galleria Lia Rumma. A sequence of mirrors, infinitely reflecting an image of prison bars, reconstructed the austere cell

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