• Doug Hall

    Rena Bransten Gallery

    Is anything spectacular anymore? Or has every natural vista and architectural masterpiece been reduced, in our age of skillful and omnipresent mechanical reproduction, to a screen saver, postcard, or billboard? Doug Hall’s large-scale color photographs often seem both to ask and answer these questions. Previously, his carefully tuned images of natural and constructed spaces exhibited a clear affinity with the work of Andreas Gursky, Candida Höfer, and Thomas Struth. But his most recent images reveal a subtle, ironic humor that sets them apart from those of his German counterparts.


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  • Shane Aslan Selzer

    Lisa Dent Gallery

    In her notably assured first solo exhibition, young San Francisco–based artist Shane Aslan Selzer employed an aesthetic both calculated in its range and instinctual in its use of unusual materials. At Lisa Dent Gallery, Selzer mined a challenging artistic vein sparked, arguably, by the likes of Rachel Harrison via a well-choreographed suite of works in a variety of media—sculpture, photography, video, and print. The show was installed in two rooms, one of which basked in primarily natural light while the other was dark enough to accommodate an atmospheric video installation. Both settings

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