new-york

Sergej Jensen

Anton Kern Gallery

Berlin-based artist Sergej Jensen’s works will disappoint viewers looking for visual bombast, but by avoiding heroic painterly gestures (and frequently even forsaking the use of paint) Jensen has nevertheless become one of the most interesting painters working today. His works are mostly medium-size panels of unprimed stretched canvas, linen, or wool, daubed with chlorine, bleach, and dye and/or adorned with bits of fabric. Jensen’s compositions would seem unresolved or even incomplete were it not for their intuitive elegance: That he often minimizes the physical work necessary to produce his paintings belies the mental effort it takes to create such apparently slapdash beauty. For his New York solo debut, Jensen even outsourced some of the labor to his mother.

Paint or no paint, however, the show was emphatically titled “Paintings,” and Jensen’s use of found materials, his low-key, washy

Sign-in to keep reading

Artforum print subscribers have full access to this article. If you are a subscriber, sign in below.

Not registered for artforum.com? Register here.

SUBSCRIBE NOW for only $50 a year—65% off the newsstand price—and get the print magazine plus full online access to this issue and our archive.*

Order the ONLINE EDITION for $5.99.

* This rate applies to U.S. domestic subscriptions.