Alicia Martín belongs to the generation of Spanish artists that began exhibiting in the early ’90s. Initially, this generation was known for a metaphorical use of objects and materials, and for the importance of subjectivity in their work. Even sometimes in relation to seemingly neutral themes, these artists often made themselves into the substance of their art. That was a long time ago, however, and those early years were difficult; the economic crisis of the time meant that many galleries and collectors were resistant to anything that seemed new. Yet the absolute freedom with which these