Giuseppe Gabellone is one of the first artists to show at Claudio Guenzani’s newly opened project space, which may seem appropriate inasmuch as all of the artist’s shows are “special projects”—projects whose enigmatic nature provides cause for reflection and debate. This was true of his contribution to the 2003 Venice Biennale, where he presented large plastic bas-reliefs with Japanese figures, probably of ancient derivation—a discordant and inexplicable union of image and material. The memory of these pieces is present on this latest occasion, because groups of Eastern figures are again depicted