With each edition the Baltic Triennial in Vilnius secures greater international visibility and interest. This year’s curators, Sofia Hernández Chong Cuy, Raimundas Malašauskas, and Alexis Vaillant, chose a subjectivity-driven method and pulled off an interesting and complex show, somewhat mystifyingly entitled “BMW, The IX Baltic Triennial of International Art,” whose intentionally disorienting mix of works was underscored by the hanging sheets of black plastic that evoked a “shadow” wall structure for the Vilnius CAC (developed in collaboration with the architect/artist Valdas Ozarinskas) and