Milan

Alice Cattaneo

Galleria Suzy Shammah

What was so striking about Alice Cattaneo’s first solo exhibition in Italy was her unusual ability to get surprising results with very simple means. The first room in the gallery contained a sculpture composed of sheets of gray cardboard, colored cubes used to teach elementary math, and thin sticks of wood, the sort that hobbyists use in constructing their model airplanes and sailboats, all held together with fragments of duct tape. This ephemeral “plastic complex,” somewhat reminiscent of those Constructivist reliefs located in space in the most unexpected manner, was striking for its skillful alternation of solids and voids, with cardboard rectangles and slender sticks rising upward from the floor. The work took on whatever configuration the surrounding space allowed, and it could have been a fragment of an infinite proliferation that, from a distance, might resemble the skyline of an

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