• Dick Bengtsson

    Moderna Museet | Stockholm

    Dick Bengtsson painted his last swastika in 1972. It materializes in the four closing panels of the Domburg Suite, which he fashioned after Piet Mondrian’s progressively abstract versions of a church façade in Domburg, Holland. The creditability of modern abstraction, as Mondrian and others conceived it, had long since reached its low-water mark: In 1964, Donald Judd declared, in “Specific Objects,” that relevance had become a stranger to painting and sculpture; Roy Lichtenstein’s Red Painting (Brushstroke), 1965, downgraded its emotional content to something reproducible at will; and with Joseph

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