New York

Ann Craven

Tanja Grunert Gallery

A hint of the uncanny shadows the deer that are painter Ann Craven’s constant muses, and not only because the has artist been known to derive her subjects from calendar reproductions, film stills, and paintings by the likes of Gustave Courbet, Franz Marc, and Gerhard Richter. Craven’s exhibitions are something like recurring dreams: On this occasion she presented re-creations of several paintings from her 2004 show at the same gallery, works that were themselves scaled-up doovers of paintings from her previous outing there, in 2002.

While Craven’s candy-colored canvases have drawn formal comparisons to Elizabeth Peyton’s and Alex Katz’s, her project is more closely aligned conceptually with ace appropriationists Sturtevant and Sherrie Levine. Here, although a phalanx of paintings showing a lone deer in a bucolic field of daisies are re-creations of canvases exhibited in earlier shows, the

to keep reading

Artforum print subscribers have full access to this article. Please sign in below.

Not registered for Register here.

SUBSCRIBE NOW and save up to 65% off the newsstand price for full online access to this issue and our archive.

Order the ONLINE EDITION for $5.99.

* This rate applies to U.S. domestic subscriptions.