Buenos Aires

Diego Bianchi

Galería Alberto Sendrós

It was not easy to get there. To reach the top you had to climb a steep, precarious-looking wooden ramp, with just a fraying rope suspended from the ceiling to hold on to. Having reached the top, you found a choreographed spectacle of chaos and mayhem, a blizzard of sounds and images—a camouflage tent, a series of yellow glue sticks and blue-and-white bottles of glue placed side by side like enemy armies, a television playing MTV and ESPN, mud volcanoes, bricks hanging precariously by strings from the ceiling, fruits and vegetable evoking genitalia, loaves of bread covered by weevils, football shirts dangling in the air, and sections of several local newspapers, all from the same Sunday, sliding down the wall. For “Imperialismo Minimalismo,” Diego Bianchi transformed the gallery into a garage sale, a space where things are exchanged and nothing remains self-contained. With its rickety

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