In the picturesque baroque city of Solothurn, Costa Vece presented a dark take on the notions of cultural identity, religion, and Heimat (homeland), and, ultimately, on the very possibility of social inclusion. Born in Switzerland, the son of Greek-Italian immigrants, Vece seems to have experienced the chilly as well as the warm side of his home country. Yet he clearly retains a deep, if mistrustful, affection for its customs and traditions. His installation Heaven Can Wait (all works 2006) is made out of darkish gray wooden planks, recalling the covered bridges seen everywhere in the canton of