Nan González’s videos are programmatically introspective, with their images spatially organized in a wandering, nonlinear fashion, making the viewer intimately reflect with them, rather than searching for larger meaning derived from storytelling. As the narrative in her works is usually fragmented, transparent, and manipulated, we seldom experience a picture as a whole, but more often as an accumulation of details that, subsequently, culminate as pure chromatic and luminous sensations. Whether she uses slow, fast, or regular motion, the images—with or without explicit human presence—convey