Light, in all its ramifications, is a primary subject of Véronique Joumard’s sculptures and installations—light sources and related paraphernalia, such as heat- and light-sensitive surfaces. She also pursues an art-historical endgame based on the readymade and on Minimalism’s laboratory aesthetic, while simultaneously looking for a softer vision of the electronic age’s omnivorous consumption of “all imaginable things,” to borrow a phrase from Yeats. The objects in her exhibition at Le Crédac, “Solarium and Other Pieces” (from 1985 to the present), as well as her occasional photographs and videos,