New York

Helen Mirra

Peter Freeman, Inc.

According to the press release for “Break Camp” (Helen Mirra’s second solo exhibition at Peter Freeman, Inc.), the artist’s practice “involves no power tools.” It’s a prosaic statement that nonetheless hints at two important aspects of Mirra’s reticent art, elucidating her devotion to the handmade while also suggesting her political conscience (she’s not one to wield power aggressively). Both of these qualities are often rendered subservient to form in critical interpretations of her exquisitely crafted works.

For those familiar with the Cambridge, Massachusetts–based artist’s modest oeuvre, this exhibition, which features sculptures made as she was about to “break camp” and return to the US from a year-long residency in Berlin, will seem true to form. Viewers less accustomed to Mirra’s aesthetic might stop short upon encountering the eight ankle-height wood-and-pinecone sculptures spread

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