Known for his meticulous re-creations of places and spaces of the past, such as D.O.M., 2004, a reconstruction of a late-eighteenth/early-nineteenth-century Polish graveyard that he showed at Galerie Johnen in Berlin, Robert Kusmirowski here pushed his artful play with simulation and nostalgia to another level with a three-part scenario of fictionalized history, whose dense atmosphere is reminiscent of Andrei Tarkovsky’s Stalker (1979). In the first zone, still clearly recognizable as the museum entry with front desk, stood an old power mast and several displays of diagrams and technical drawings