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Björn Copeland

China Art Objects

Björn Copeland possesses considerable visual prowess, and his obses- sively crafted mixed-media works on paper make for compelling viewing. The Brooklyn-based artist and musician is clearly familiar with the ever-changing fashions of printed concert flyers—from acid-drenched, Bill Graham–era psychedelia to Xeroxed No Wave grit to fluorescent, ecstasy-laced rave exuberance—and evinces a catholic aesthetic that whirls a mischievous Surrealist bent, Pop referentiality (owing more to the silk screens of Eduardo Paolozzi than those of, say, Warhol), and hypnotic Op affectation into carefully synthesized eye candy.

Copeland’s hip pedigree as a founding member of experimental/noise band Black Dice—part of the energetic music scene that emerged in Providence, Rhode Island, in the late 1990s—was hardly irrelevant in a recent show at China Art Objects. The pointedly titled collage Cover Potential,

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