New York

Claudette Schreuders

Jack Shainman Gallery

Deceptively simple, Claudette Schreuders’s painted wooden sculptures have the gravity of a serious child. But their plainness is chosen and careful, arising not out of innocence or ignorance but out of an effort, apt for the reductive process of wood carving, to pare down the complexities of experience to undeniable forms, solid and condensed. Born in Pretoria, South Africa, in 1973, Schreuders grew up under apartheid but was surely protected from its true brutalities by being white. (She is of Dutch and Afrikaner descent.) She has lived through its overthrow and through the creation of the new state. Her work reflects a sensitivity to inequalities of power and to the politics of belonging, or not, and though she always addresses these problems symbolically and personally—her concerns appear more in relationships between individuals than in social analysis—it is easy to pick up her objects’

Sign-in to keep reading

Artforum print subscribers have full access to this article. Please sign in below.

Not registered for artforum.com? Register here.

SUBSCRIBE NOW and save up to 65% off the newsstand price for full online access to this issue and our archive.

Order the PRINT EDITION of the May 2007 issue for $17 or the ONLINE EDITION for $5.99.

* This rate applies to U.S. domestic subscriptions.