reviews

  • Josephine Pryde

    Galerie Neu | Mehringdamm

    Josephine Pryde’s exhibitions always appear straightforwardly thematic, then become more and more perplexing the longer you think about them. Her recent show, “Hollow Inside,” was no exception: Her new diagrams of yoga positions—in chains mounted on Plexiglas—might seem clear enough, but then you started to wonder why multiple-exposure head shots of bewildered-looking sheep were hung on the walls around them. The photographs of staring sheep look blurry and hallucinatory; in some cases, the technique of multiple exposure creates more than two eyes. It is as if our own perplexity were materialized

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